Radio
History, Wikipedia
Around the start of the 20th century, the Slaby-Arco wireless system was developed by Adolf Slaby and Georg von Arco. In 1900, Reginald Fessenden made a weak transmission of voice over the airwaves. In 1901, Marconi conducted the first successful transatlantic experimental radio communications. In 1904, The U.S. Patent Office reversed its decision, awarding Marconi a patent for the invention of radio, possibly influenced by Marconi's financial backers in the States, who included Thomas Edison and Andrew Carnegie. This also allowed the U.S. government (among others) to avoid having to pay the royalties that were being claimed by Tesla for use of his patents. For more information see Marconi's radio work. In 1907, Marconi established the first commercial transatlantic radio communications service, between Clifden, Ireland and Glace Bay, Newfoundland.
Around the start of the 20th century, the Slaby-Arco wireless system was developed by Adolf Slaby and Georg von Arco. In 1900, Reginald Fessenden made a weak transmission of voice over the airwaves. In 1901, Marconi conducted the first successful transatlantic experimental radio communications. In 1904, The U.S. Patent Office reversed its decision, awarding Marconi a patent for the invention of radio, possibly influenced by Marconi's financial backers in the States, who included Thomas Edison and Andrew Carnegie. This also allowed the U.S. government (among others) to avoid having to pay the royalties that were being claimed by Tesla for use of his patents. For more information see Marconi's radio work. In 1907, Marconi established the first commercial transatlantic radio communications service, between Clifden, Ireland and Glace Bay, Newfoundland.
In 1900, Brazilian priest Roberto Landell de Moura
transmitted the human voice wirelessly.
According to the newspaper Jornal do Comercio (June 10, 1900),
he conducted his first public experiment on June 3, 1900, in front of
journalists and the General Consul of Great Britain, C.P. Lupton, in São Paulo, Brazil, for a distance of
approximately 5.0 miles (8 km). The points of transmission and reception
were Alto de Santana and Paulista Avenue.
One year after that experiment, he
received his first patent from the Brazilian government. It was described as
"equipment for the purpose of phonetic transmissions through space, land
and water elements at a distance with or without the use of wires." Four
months later, knowing that his invention had
real value, he left Brazil for the United States with the intent of patenting
the machine at the US
Patent Office in Washington, DC.
Having few resources, he had to rely on
friends to push his project. Despite great difficulty, three patents were
awarded: "The Wave Transmitter" (October 11, 1904), which is the
precursor of today's radio transceiver; "The Wireless Telephone" and
the "Wireless Telegraph", both dated November 22, 1904. "The
Wireless Telephone" U S Patent Office in Washington, DC
The next advancement was the vacuum tube
detector, invented by Westinghouse engineers. On Christmas Eve 1906, Reginald Fessenden used a synchronous rotary-spark
transmitter for
the first radio program broadcast, from Ocean Bluff-Brant
Rock, Massachusetts.
Ships at sea heard a broadcast that included Fessenden playing O Holy Night on
the violin and
reading a passage from the Bible. This was, for all intents and
purposes, the first transmission of what is now known as amplitude modulation
or AM radio.
In June 1912 Marconi opened the world's
first purpose-built radio factory at New Street Works in
Chelmsford, England.
The first radio news program was
broadcast August 31, 1920 by station 8MK in Detroit, Michigan,
which survives today as all-news format station WWJ under
ownership of the CBS network. The first college radio station began
broadcasting on October 14, 1920 from Union College, Schenectady, New York under
the personal call letters of Wendell King, an African-American student
at the school.
That month 2ADD (renamed WRUC in 1947), aired what is believed
to be the first public entertainment broadcast in the United States, a series
of Thursday night concerts initially heard within a 100-mile (160 km)
radius and later for a 1,000-mile (1,600 km) radius. In November 1920, it
aired the first broadcast of a sporting event. At 9 pm on August 27, 1920,
Sociedad Radio Argentina aired a live performance of Richard Wagner's
opera Parsifal from the Coliseo Theater in downtown Buenos Aires.
Only about twenty homes in the city had receivers to tune in this radio
program. Meanwhile, regular entertainment broadcasts commenced in 1922 from the
Marconi Research Centre at Writtle,
England. Sports broadcasting began at this time as well, including the college football on
radio broadcast of
a 1921
West Virginia vs. Pittsburgh football game.
One of the first developments in the
early 20th century was that aircraft used commercial AM radio stations for
navigation. This continued until the early 1960s when VOR systems became widespread. In
the early 1930s, single sideband and
frequency modulation were invented by amateur radio operators. By the end of
the decade, they were established commercial modes. Radio was used to transmit
pictures visible as television as
early as the 1920s. Commercial television transmissions started in North
America and Europe in the 1940s.
In 1947 AT&T commercialized
the Mobile Telephone
Service. From its start
in St. Louis in 1946, AT&T then introduced Mobile Telephone Service to one
hundred towns and highway corridors by 1948. Mobile Telephone Service was a
rarity with only 5,000 customers placing about 30,000
calls each week. Because only three radio channels were available,
only three customers in any given city could make mobile telephone calls at one
time. Mobile Telephone Service was expensive, costing 15 USD per month, plus 0.30 to 0.40 USD per local
call, equivalent to about 176 USD per month
and 3.50 to 4.75 per call in 2012 USD.
The Advanced Mobile
Phone System analog mobile cell phone
system, developed by Bell Labs,
was introduced in the Americas in 1978, gave much more capacity. It was
the primary analog mobile phone system in North America (and other locales)
through the 1980s and into the 2000s.
The Regency TR-1, which used Texas Instruments' NPN transistors, was the world's first
commercially produced transistor radio.
In 1954, the Regency company introduced
a pocket
transistor radio,
the TR-1, powered by a "standard 22.5 V
Battery." In 1955, the newly formed Sony Company introduced its first
transistorized radio. It was small enough to fit in a vest
pocket, powered by a small battery. It was durable, because it had no vacuum
tubes to burn out. Over the next 20 years, transistors replaced tubes almost
completely except for high-power transmitters.
By 1963, color television was being
broadcast commercially (though not all broadcasts or programs were in color),
and the first (radio) communication
satellite, Telstar, was launched. In the late 1960s, the
U.S. long-distance telephone network began to convert to a digital network,
employing digital radios for many of its links. In the
1970s, LORAN
became the premier radio navigation system.
Soon, the U.S. Navy experimented
with satellite navigation, culminating in the launch of the Global Positioning
System (GPS)
constellation in 1987. In the early 1990s, amateur radio experimenters began to
use personal computers with audio cards to process radio signals. In 1994, the
U.S. Army and DARPA launched an aggressive, successful
project to construct a software-defined
radio that can be
programmed to be virtually any radio by changing its software program. Digital
transmissions began to be applied to broadcasting in the late 1990s.
Julio Cervera
Baviera developed
radio in Spain around 1902. Cervera Baviera obtained patents in England,
Germany, Belgium, and Spain. In May–June 1899, Cervera had, with the blessing
of the Spanish Army, visited Marconi's radiotelegraphic
installations on the English Channel,
and worked to develop his own system. He began collaborating with Marconi on
resolving the problem of a wireless communication system, obtaining some patents by
the end of 1899. Cervera, who had worked with Marconi and his assistant George
Kemp in 1899, resolved the difficulties of wireless telegraph and obtained his
first patents prior to the end of that year. On March 22, 1902, Cervera founded
the Spanish Wireless Telegraph and Telephone Corporation and brought to his corporation
the patents he had obtained in Spain, Belgium, Germany and England.[49] He
established the second and third regular radiotelegraph service in the history
of the world in 1901 and 1902 by maintaining regular transmissions
between Tarifa and Ceuta (across the Straits of Gibraltar) for three consecutive months, and
between Javea (Cabo de la Nao)
and Ibiza (Cabo
Pelado). This is after Marconi established the radiotelegraphic service between
the Isle of Wightand Bournemouth in
1898. In 1906, Domenico Mazzotto wrote: "In Spain the Minister of War has
applied the system perfected by the commander of military engineering, Julio
Cervera Baviera (English patent No. 20084 (1899))." Cervera thus
achieved some success in this field, but his radiotelegraphic activities ceased
suddenly, the reasons for which are unclear to this day.
Using various patents,
the British Marconi company was established in 1897
and began communication between
coast radio stations and ships at sea. This company,
along with its subsidiaries Canadian Marconi and American
Marconi, had a
stranglehold on ship-to-shore communication. It operated much the way American Telephone
and Telegraph operated
until 1983, owning all of its equipment and refusing to communicate with
non-Marconi equipped ships. In June 1912, after the RMS Titanic
disaster, due to increased production
Marconi opened the world's first purpose-built radio factory at New Street Works in Chelmsford,
and in 1932 the Marconi Research
Laboratory. Many
inventions improved the quality of radio, and amateurs experimented with uses
of radio, thus planting the first seeds of broadcasting.
The company Telefunken was
founded on May 27, 1903, as "Telefunken society for wireless telefon"
of Siemens & Halske (S & H) and the Allgemeine Elektrizitäts-Gesellschaft
(General Electricity Company) as joint undertakings for
radio engineering in Berlin. It continued as a joint venture of AEG and Siemens AG,
until Siemens left in 1941. In 1911, Kaiser Wilhelm II sent
Telefunken engineers to West Sayville, New York to
erect three 600-foot (180-m) radio towers there. Nikola Tesla assisted in the
construction. A similar station was erected in Nauen, creating the only
wireless communication between North America and Europe.
The invention of amplitude-modulated
(AM) radio, so that more than one station can send signals (as opposed to
spark-gap radio, where one transmitter covers the entire bandwidth of the
spectrum) is attributed to Reginald Fessenden and Lee de Forest.
On Christmas Eve 1906,
Reginald Fessenden used an Alexanderson
alternator and
rotary spark-gap
transmitter to
make the first radio audio broadcast, from Brant Rock,
Massachusetts. Ships at
sea heard a broadcast that included Fessenden playing O Holy Night on
the violin and
reading a passage from the Bible.
In 1909, Marconi and Karl Ferdinand Braun were awarded the Nobel Prize in
Physics for
"contributions to the development of wireless telegraphy".
In April 1909 Charles David
Herrold, an electronics
instructor in San Jose, California constructed a broadcasting
station. It used spark gap technology, but modulated the carrier
frequency with the human voice, and later music. The station "San Jose
Calling" (there were no call letters), continued to eventually become
today's KCBS in San Francisco. Herrold, the son
of a Santa Clara Valley farmer, coined the terms
"narrowcasting" and "broadcasting", respectively to
identify transmissions destined for a single receiver such as that on board a
ship, and those transmissions destined for a general audience. (The term
"broadcasting" had been used in farming to define the tossing of seed
in all directions.) Charles Herrold did not claim to be the first to transmit the
human voice, but he claimed to be the first to conduct
"broadcasting". To help the radio signal to spread in all directions,
he designed some omnidirectional
antennas, which he
mounted on the rooftops of various buildings in San Jose. Herrold also claims
to be the first broadcaster to accept advertising (he
exchanged publicity for a local record store for records to play on his
station), though this dubious honour usually is foisted on WEAF (1922).
In 1912, the RMS Titanic sank in the northern Atlantic Ocean. After this,
wireless telegraphy using spark-gap transmitters quickly became universal on
large ships. In 1913, the International Convention for the Safety of Life at Sea was convened and produced a treaty
requiring shipboard radio stations to be manned 24 hours a day. A typical
high-power spark gap was a rotating commutator with six to twelve contacts per
wheel, nine inches (229 mm) to a foot wide, driven by about 2,000 volts DC. As the gaps made and broke
contact, the radio wave was audible as a tone in a magnetic detector at
a remote location. The telegraph key often directly made and broke the 2,000
volt supply. One side of the spark gap was directly connected to the antenna.
Receivers with thermionic valves became
commonplace before spark-gap transmitters were replaced by continuous wave
transmitters.
On March 8, 1916, Harold Power with his radio company American
Radio and Research Company (AMRAD), broadcast the first continuous broadcast in
the world from Tufts University under
the call sign 1XE (it lasted 3 hours). The company later became the first to
broadcast on a daily schedule, and the first to broadcast radio dance programs,
university professor lectures, the weather, and bedtime stories.
Inventor Edwin Howard
Armstrong is
credited with developing many of the features of radio as it is known today.
Armstrong patented three important inventions that made today's radio
possible. Regeneration, the super-heterodyne circuit
and wide-band frequency modulation or FM. Regeneration or the use
of positive feedback greatly increased the amplitude of
received radio signals to the point where they could be heard without
headphones. The super-het simplified radio receivers by doing away with the
need for several tuning controls. It made radios more sensitive and selective
as well. FM gave listeners a static-free experience with better sound quality
and fidelity than AM.
In early radio, and to a limited extent
much later, the transmission signal of the radio station was specified in
meters, referring to the wavelength,
the length of the radio wave. This is the origin of the terms long wave, medium wave,
and short wave radio. Portions of the radio
spectrum reserved for specific purposes were often referred to by wavelength:
the 40-meter band, used for amateur radio, for example. The relation between wave
length and wave frequency is reciprocal: the higher the frequency, the shorter
the wave, and vice-versa.
As equipment progressed, precise
frequency control became possible; early stations often did not have a precise
frequency, as it was affected by the temperature of the equipment, among other
factors. Identifying a radio signal by its frequency rather than its length
proved much more practical and useful, and starting in the 1920s this became
the usual method of identifying a signal, especially in the United States.
Frequencies specified in number of cycles per second (kilocycles, megacycles)
were replaced by the more precise designation of hertz (cycles per second) about 1965.
In the
1920s, the United States government publication, "Construction and Operation of a Simple
Homemade Radio Receiving Outfit", showed how almost any person
handy with simple tools could a build an effective crystal radio receiver.
The most common type of receiver before
vacuum tubes was the crystal set, although some early radios used some
type of amplification through electric current or battery. Inventions of
the triode amplifier, motor-generator,
and detector enabled audio radio. The use
of amplitude modulation (AM),
with which more than one station can simultaneously send signals (as opposed to
spark-gap radio, where one transmitter covers the entire bandwidth of spectra)
was pioneered by Fessenden and Lee de Forest.
The art and science of crystal sets is
still pursued as a hobby in the form of simple un-amplified radios that 'runs
on nothing, forever'. They are used as a teaching tool by groups such as
the Boy Scouts of
America to
introduce youngsters to electronics and radio. As the only energy available is
that gathered by the antenna system, loudness is necessarily limited.
During the mid-1920s, amplifying vacuum tubes
(or thermionic valves in the UK) revolutionized radio receivers
and transmitters. John Ambrose Fleming
developed a vacuum tube diode. Lee de Forest placed
a screen, added a "grid" electrode, creating the triode.
The Dutch company Nederlandsche
Radio-Industrie and its owner engineer, Hanso Idzerda, made the
first regular wireless broadcast for entertainment from its workshop in The Hague on
6 November 1919. The company manufactured both transmitters and receivers. Its
popular program was broadcast four nights per week on AM 670 metres, until
1924 when the company ran into financial troubles.
On 27 August 1920, regular wireless
broadcasts for entertainment began in Argentina,
pioneered by the group around Enrique Telémaco
Susini, and spark gap telegraphy
stopped. On 31 August 1920 the first known radio news program was broadcast by
station 8MK, the unlicensed predecessor of WWJ (AM) in Detroit, Michigan.
In 1922 regular wireless broadcasts for entertainment began in the UK from
the Marconi Research Centre 2MT at Writtle
near Chelmsford, England. Early radios ran the entire power of
the transmitter through a carbon microphone.
In the 1920s, the Westinghouse company bought Lee de Forest's
and Edwin Armstrong's patent. During the mid-1920s,
Amplifying vacuum tubes (US)/thermionic valves (UK)
revolutionized radio receivers and transmitters.
Westinghouse engineers developed a more modern vacuum tube.
The British government and the
state-owned postal services found themselves under massive pressure from the
wireless industry (including telegraphy) and early radio adopters to open up to
the new medium. In an internal confidential report from February 25, 1924, the Imperial Wireless Telegraphy Committee stated:
"We
have been asked 'to consider and advise on the policy to be adopted as regards
the Imperial Wireless Services so as to protect and facilitate public
interest.' It was impressed upon us that the question was urgent. We did not
feel called upon to explore the past or to comment on the delays which have
occurred in the building of the Empire Wireless Chain. We concentrated our
attention on essential matters, examining and considering the facts and
circumstances which have a direct bearing on policy and the condition which
safeguard public interests."
The question of the 'first' publicly
targeted licensed radio station in the U.S. has more than one answer and
depends on semantics. Settlement of this 'first' question may hang largely upon
what constitutes 'regular' programming.
It
is commonly attributed to KDKA in Pittsburgh,
Pennsylvania,
which in October 1920 received its license and went on the air as the first US
licensed commercial broadcasting station on November 2, 1920 with the
presidential election results as its inaugural show, but was not broadcasting
daily until 1921. (Their engineer Frank Conrad had been
broadcasting from on the two call sign signals of 8XK and 8YK since 1916.)
Technically, KDKA was the first of several already-extant stations to receive a
'limited commercial' license.
On
February 17, 1919, station 9XM at the University of Wisconsin in Madison broadcast human
speech to the public at large. 9XM was first experimentally licensed in 1914,
began regular Morse code transmissions in
1916, and its first music broadcast in 1917. Regularly scheduled broadcasts of
voice and music began in January 1921. That station is still on the air today
as WHA.
On
August 20, 1920 8MK, began broadcasting daily and was credited by famed
inventor Lee De Forest as the first commercial
station. 8MK was licensed to a teenager, Michael DeLisle Lyons, and financed
by E. W. Scripps. In 1921 8MK changed
to WBL and then to WWJ in 1922, in Detroit. It has carried a
regular schedule of programming to the present and also broadcast the 1920
presidential election returns just as KDKA did. Inventor Lee DeForest claims to have
been present during 8MK's earliest broadcasts, since the station was using a
transmitter sold by his company. In
August 1921, teenagers Michael DeLisle Lyons, his younger brother Francis
"Frank" Edward Lyons and Ed Clark (founder of WJR - Detroit) put the
first radio in a police car in Toledo, Ohio.
There is the
history noted above of Charles David Herrold's radio services as early as 1909 with call signs
FN, SJN, 6XF, and 6XE until 1921 when it became WKQW and then finally KCBS in
1949.
The
first station to receive a commercial license was WBZ, then in Springfield,
Massachusetts .
Lists provided to the Boston
Globe by
the U.S.
Department of Commerce showed that WBZ received its commercial license on 15
September 1921; another Westinghouse station, WJZ, then in Newark, New Jersey, received its
commercial license on November 7, the same day as KDKA did.[57] What separates
WJZ and WBZ from KDKA is the fact that neither of the former stations remain in
their original city of license, whereas KDKA has remained in Pittsburgh for its
entire existence.
2XG: Launched by Lee De Forest in the Highbridge section of New York City,
that station began daily broadcasts in 1916. Like most experimental radio
stations, however, it had to go off the air when the U.S. entered World War I
in 1917, and did not return to the air.
1XE: Launched by Harold J. Power in Medford,
Massachusetts,
1XE was an experimental station that started broadcasting in 1917. It had to go
off the air during World War I, but started up again after the war, and began
regular voice and music broadcasts in 1919. However, the station did not
receive its commercial license, becoming WGI, until 1922.
2XN, broadcasting from
the City
College of New York
2ZK, broadcasting in New Rochelle, New
York
WWV, the U.S. Government
time service, which was believed to have started 6 months before KDKA in
Washington, D.C. but in 1966 was transferred to Ft. Collins, Colorado.
WRUC, located on Union College in Schenectady, New
York;
was launched as W2XQ
WHA (AM), located at the University of Wisconsin–Madison, Madison, Wisconsin; was launched as 9XM.
KQV, one of Pittsburgh's five original AM
stations, signed on as amateur station "8ZAE" on November 19, 1919,
but did not receive a commercial license until January 9, 1922.
Outside the United States there are also
claims for the first radio stations:
XWA, Marconi's broadcast station
in Montreal, Canada, since 1919 (was CFCF,
later CINW and shut down in
February 2010)
On
August 27, 1920 the Argentina Station started the first transmission from
Coliseo Theatre at Buenos Aires, Argentina. Later that station received the
name LOR Radio Argentina, and finally LR2 Radio Argentina. That station was in
service until 31 December 1997 at 1110 kHz.
Broadcasting was not yet supported
by advertising
or listener
sponsorship. The
stations owned by manufacturers and department stores were established to sell
radios and those owned by newspapers to sell newspapers and express the
opinions of the owners. In the 1920s, radio was first used to transmit pictures
visible as television. During the early 1930s, single sideband (SSB)
and frequency modulation (FM) were invented by amateur
radio operators. By 1940, they were established commercial modes.
Westinghouse was brought into the patent
allies group, General Electric, American Telephone
and Telegraph,
and Radio Corporation of
America, and became a
part owner of RCA. All radios made by GE and Westinghouse were sold under the
RCA label 60% GE and 40% Westinghouse. ATT's Western Electric would
build radio transmitters. The patent allies attempted to set up a monopoly, but
they failed due to successful competition. Much to the dismay of the patent
allies, several of the contracts for inventor's patents held clauses protecting
"amateurs" and allowing them to use the patents. Whether the
competing manufacturers were really amateurs was ignored by these competitors.
These features arose:
Commercial
(United States) or governmental (Europe) station networks
Birth
of the soap opera
Race
towards shorter waves and FM
In 1933, FM radio was
patented by inventor Edwin H. Armstrong. FM uses frequency modulation of the radio wave to reduce static and interference from electrical equipment and the
atmosphere. In 1937, W1XOJ, the first experimental FM radio
station, was granted a construction permit by the US Federal
Communications Commission (FCC).
In the 1930s, regular analog television broadcasting
began in some parts of Europe and North America. By the end of the decade there
were roughly 25,000 all-electronic television receivers in existence worldwide,
the majority of them in the UK. In the US, Armstrong's FM system was designated
by the FCC to transmit and receive television sound.
After World War II, FM radio broadcasting
was introduced in Germany. At a meeting in Copenhagen in
1948, a new wavelength plan was set up for Europe. Because of the recent war,
Germany (which did not exist as a state and so was not invited) was only given
a small number of medium-wave frequencies, which were not very good
for broadcasting. For this reason Germany began broadcasting on UKW
("Ultrakurzwelle", i.e. ultra short wave, nowadays called VHF) which was not covered by the
Copenhagen plan. After some amplitude modulation experience with VHF, it was
realized that FM radio was a much better alternative for VHF radio than AM.
Because of this history FM Radio is still referred to as "UKW Radio"
in Germany. Other European nations followed a bit later, when the superior
sound quality of FM and the ability to run many more local stations because of
the more limited range of VHF broadcasts were realized.
In 1954 Regency introduced a
pocket transistor radio, the TR-1,
powered by a "standard 22.5V Battery". In the early 1960s, VOR systems finally became widespread
for aircraft navigation; before that, aircraft
used commercial AM radio stations for navigation. (AM stations are still marked
on U.S. aviation charts). In 1960 Sony introduced their first
transistorized radio, small enough to fit in a vest pocket, and able to be
powered by a small battery. It was durable, because there were no tubes to burn
out. Over the next twenty years, transistors displaced tubes almost completely
except for picture tubes and very high power or very high
frequency uses.
1953: NTSC compatible color television introduced in the US.
1962: Telstar 1, the first communications
satellite,
relayed the first publicly available live transatlantic television signal.
Late
1960s: The US long-distance telephone network began to convert to a digital
network, employing digital radios for many of its
links.
1970s: LORAN became the premier radio navigation system. Soon, the
US Navy experimented with satellite navigation.
1987:
The GPS constellation of
satellites was launched.
Early
1990s: Amateur radio experimenters
began to use personal computers with audio cards to process radio signals.
1994:
The US Army and DARPA launched an
aggressive successful project to construct a software radio that could become
a different radio on the fly by changing software.
Late
1990s: Digital transmissions began to be applied to broadcasting.
2015:
The first all-digital radio transmitter, called Pizzicato, was introduced.
Telegraphy did
not go away on radio. Instead, the degree of automation increased. On
land-lines in the 1930s,
teletypewriters automated
encoding, and were adapted to pulse-code dialing to automate routing, a service
called telex. For thirty years, telex was the
absolute cheapest form of long-distance communication, because up to 25 telex
channels could occupy the same bandwidth as one voice channel. For business and
government, it was an advantage that telex directly produced written documents.
Telex systems were adapted to short-wave
radio by sending tones over single sideband. CCITT R.44 (the most advanced pure-telex
standard) incorporated character-level error detection and retransmission as
well as automated encoding and routing. For many years, telex-on-radio (TOR)
was the only reliable way to reach some third-world countries. TOR remains
reliable, though less-expensive forms of e-mail are displacing it. Many
national telecom companies historically ran nearly pure telex networks for
their governments, and they ran many of these links over short wave radio.
Documents including maps and photographs
went by radio-fax, or wireless photo-radiogram, invented
in 1924 by Richard H. Ranger of Radio Corporation of
America (RCA).
This method prospered in the mid-20th century and faded late in the century.
In 1947 AT&T commercialized
the Mobile Telephone
Service. From its start
in St. Louis in 1946, AT&T then introduced Mobile Telephone Service to one
hundred towns and highway corridors by 1948. Mobile Telephone Service was a
rarity with only 5,000 customers placing about 30,000
calls each week. Because only three radio channels were available,
only three customers in any given city could make mobile telephone calls at one
time. Mobile Telephone Service was expensive, costing 15 USD per month, plus 0.30 to 0.40 USD per local
call, equivalent to about 176 USD per month
and 3.50 to 4.75 per call in 2012 USD
The Advanced Mobile
Phone System analog mobile cell phone system,
developed by Bell Labs, was introduced in the Americas in
1978, gave much more capacity. It was the primary analog mobile phone
system in North America (and other locales) through the
1980s and into the 2000s.
When radio was introduced in the 1920s
many predicted the end of records.
Radio was a free medium for the public to hear music for which they would
normally pay. While some companies saw radio as a new avenue for promotion,
others feared it would cut into profits from record sales and live
performances. Many companies had their major stars sign agreements that they would
not appear on radio.
Indeed, the music recording industry had
a severe drop in profits after the introduction of the radio. For a while, it
appeared as though radio was a definite threat to the record industry. Radio
ownership grew from two out of five homes in 1931 to four out of five homes in
1938. Meanwhile, record sales fell from $75 million in 1929 to $26 million in
1938 (with a low point of $5 million in 1933), though the economics of the
situation were also affected by the Great Depression.
The copyright owners were concerned that
they would see no gain from the popularity of radio and the ‘free’ music it
provided. Luckily, what they needed to make this new medium work for them
already existed in previous copyright law. The copyright holder for a song had
control over all public performances ‘for profit.’ The problem now was proving
that the radio industry, which was just figuring out for itself how to make
money from advertising and currently offered free music to anyone with a
receiver, was making a profit from the songs.
The test case was
against Bamberger's Department Store in Newark, New Jersey in 1922. The store was
broadcasting music throughout its store on the radio station WOR. No
advertisements were heard, except at the beginning of the broadcast which
announced "L. Bamberger and Co., One of America's Great Stores, Newark,
New Jersey." It was determined through this and previous cases (such as
the lawsuit against Shanley's Restaurant) that Bamberger was using the songs
for commercial gain, thus making it a public performance for profit, which
meant the copyright owners were due payment.
With this ruling the American Society of Composers, Authors and Publishers (ASCAP) began collecting licensing
fees from radio stations in 1923. The beginning sum was $250 for all music
protected under ASCAP, but for larger stations the price soon ballooned to
$5,000. Edward Samuels reports in his book The Illustrated Story of Copyright that "radio and TV
licensing represents the single greatest source of revenue for ASCAP and its
composers and an average member of ASCAP gets about $150–$200 per work per
year, or about $5,000-$6,000 for all of a member's compositions." Not long
after the Bamberger ruling, ASCAP had to once again defend their right to
charge fees, in 1924. The Dill Radio Bill would have allowed radio stations to
play music without paying and licensing fees to ASCAP or any other
music-licensing corporations. The bill did not pass.
Comments
1920 was the year almost everybody
in the US had a radio. I remember standing in front of my grandmother’s big
radio console and hearing the announcement that we had just won victory in
Europe in 1945. Every night we would listen to “The Voice of Firestone” for
opera and classical music. We also listened to dozens of radio comedy shows,
baseball games and news reports.
Norb
Leahy, Dunwoody GA Tea Party Leader
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